Sarah Swire Archives - Welcome to Oaty McLoafy! https://oatymcloafy.com/tag/sarah-swire/ The Life and Times of Miss Mittens Wed, 11 Oct 2023 19:54:41 +0000 en-US hourly 1 https://wordpress.org/?v=7.0 https://i0.wp.com/oatymcloafy.com/wp-content/uploads/2022/11/20220123_012404.png?fit=32%2C32&ssl=1 Sarah Swire Archives - Welcome to Oaty McLoafy! https://oatymcloafy.com/tag/sarah-swire/ 32 32 214757351 Anna and the Apocalypse (2017) https://oatymcloafy.com/2022/12/25/anna-and-the-apocalypse-2017/ https://oatymcloafy.com/2022/12/25/anna-and-the-apocalypse-2017/#respond Sun, 25 Dec 2022 18:31:00 +0000 https://oatymcloafy.com/?p=803 Here's a Christmas musical that's guaranteed to ruin the holiday spirit!

The post Anna and the Apocalypse (2017) appeared first on Welcome to Oaty McLoafy!.

]]>

Surprise! I officially ran out of holiday-based movie musicals on the Rotten Tomatoes list, but I couldn’t leave you guys hanging without a Christmas post! So here’s something guaranteed to ruin the holiday spirit – Anna and the Apocalypse!

I will admit, this is not my first watch of this movie. My friend Mark recommended this to me several years ago and after viewing I thought, “Hm, that made me sad,” and buried my feelings down deep. Viewing it back in 2019 fresh off heartbreak tainted my opinion of it, and I didn’t want to touch it with a socially distanced 6-foot pole in the subsequent pandemic years. Dusting it off now and reassessing with a fresh set of eyes, I will confess this is a genre-bending masterpiece and y’all have to see it. In fact, you can watch it for free on Hoopla if your library participates!

Anna and her friends are seniors in high school and are making decisions on what they should do after they graduate. Anna’s aggressively platonic best friend John plans to go to art school, but Anna wants to take a gap year and travel to Australia to the absolute horror of her father. Her dad tells Anna what a disappointment she would be to her dead mom, and then Anna gets to sit with that information all day at school – what a treat!

Steph, one of Anna and John’s friends, is similarly having a tough time because her parents decided to ship off to Mexico for the holidays, leaving her alone with her girlfriend who also doesn’t want to spend time with her on Christmas. Ouch. She decides to hyper-focus on the city’s homelessness problem to distract herself, and the future headmaster Arthur is like, “Why you gotta be a debbie downer all the time?” and steals Steph’s car keys in retaliation for suggesting they publish something in the school newspaper about it.

Teenage angst is running high in Little Haven, and the only way our protagonists can process their feelings of stagnation is through song!

Lisa, on the other hand, is over-the-moon excited for the Christmas concert as she has a special number planned for her boyfriend Chris. Anna does not have the same luck when it comes to relationships and instead gets propositioned in the hallway by her gorgeous but absolutely daft ex-boyfriend Nick, further cementing her decision to go over 9000 miles away to a completely different continent to get away from him.

“Wait… no.”

John is secretly heartbroken by Anna’s choice to flee as he silently has a big ‘ol crush on her, which makes lunch awkward when Chris and Lisa furiously make out in front of him and Anna at every opportunity. Chris comes up for air long enough for Steph to ask for his help on her homelessness story – if the future headmaster forbids her from posting it on the school blog, she’d make a movie about it instead to circumvent his authority. This logically makes no sense but don’t worry about it, it won’t matter at all in about 10 minutes. Chris agrees since his film teacher has already chided him for producing horror shlock that has no substance.

Teenage angst is running high in Little Haven, and the only way our protagonists can process their feelings about their doomed romantic entanglements is through song!

You ever hear a song and know the reprise is going to destroy you later?

After a hard tonal pivot, we’re treated with this absolute fucking banger, seriously, oh my god, please watch this, it’s one of the most glorious things I’ve ever seen in my whole life.

This is immediately followed by a fairly hilarious “Santa Baby” homage where a bunch of shirtless men dance with candy canes on stage while Lisa asks Santa to come on over and unload his sack.

Chris, Steph and Anna don’t get to witness these truly epic performances because they’re all busy working. John continually wins me over by being the most stylish one of the bunch to talk about how Olive the other reindeer was a total dick.

God, I love this kid.

This film does a great job at balancing the serious and the hilarious without giving you too much emotional whiplash. Nothing shows this balance better than “Turning My Life Around”, which features some truly epic dancing and zombie deaths.

The culmination of this joyous declaration of independence is, of course, the realization we have no control over our lives and everything and everyone is totally fucked. That’s right, zombies have come to town.

There were plenty of clues up until this point hinting at the eventual zombie takeover with car radio news stories about the pandemic, kids coming down with the flu, the insistence everyone use hand sanitizer… basically a bunch of stuff we are all acutely familiar with. The characters in the movie handled it the same way all of us did, by ignoring it until it became a problem that shuffled up to our literal doorstep.

Anna and John take refuge in the bowling alley and run into Steph and Chris, who have been camping out there since the night before. While the cell towers are out they still have internet access, and Steph floats the conspiracy theory that their current situation is the result of big pharma. If you’re immediately triggered by this sentiment, don’t worry, nothing will tin hat after this as it never comes up again. They spend the rest of the day waiting for the army to save them and theorizing which celebrities have already turned zombie. This seemingly low-key outing is interrupted when Steph has to kill the zombie cleaning lady with a toilet lid because she is an absolute savage.

There’s actually a good number of disgusting and amusing decapitations that had me cringing and laughing at the same time. The best of which are featured in a clear Shaun of the Dead homage cued to music and everything.

The next morning, after realizing the entirety of army has been turned, the foursome decide to head to the closest designated evacuation zone, their high school. Anna’s dad, Lisa and Chris’ grandmother Dot have been patiently waiting for help there. Dot has a bad heart, and when Lisa asks Arthur, the headmaster-in-charge, for medication, he basically says that it’s OK to sacrifice grandma in the name of capitalism.

God, I hate how accurate this movie ended up being.

While tiptoeing from the safe bowling alley through the unsafe streets, they run into everyone’s favorite piece of garbage, Nick, who has formed a gang of other assholes to loot stores and knock off zombies blocks. After criticizing John for being too beta, Nick asserts his alpha status in a song that definitely doesn’t resemble “Eye of the Tiger”.

Nick surfing on the cart filled with toilet paper is, again, too real.

Also, I giggled at this much longer than I should have.

Now escorted by their own personal security team, the kids continue their quest to reach the school. Anna is still convinced she will head to Australia after things are sorted, while John suggests that potentially, maybe, she stick around during the end of the world. Anna picks up that John is pining for her and assertively friendzones this poor kid during the apocalypse. John cannot catch a break, even with being the best dressed of the squad.

As the sun starts to set, the gang stumbles across a shortcut through a Christmas tree farm. Although it seems dangerous because of the lack of visibility, they decide to press on because they’re extremely stupid.

When I was a kid, my friend owned Titanic on VHS, and every once in a while she’d convince me to watch it with her. Because it was so fucking long it was split between two tapes, the first one mainly focusing on the love story between Jack and Rose and the second starting directly after the ship hits the iceberg. Most of the time we’d just watch the first tape and forgo the second one entirely so we could invent an ending where Jack and Rose made it to New York and lived the rest of their lives together.

I mention this because the rest of this movie is a bummer. If you’d like to imagine a world where Anna and everyone she cares about escape the city and live happily ever after, stop reading now! Merry Christmas! I’ll see you again in 2023!

For the rest of you masochists, I regret to inform you that in the skirmish, John and a bunch of Nick’s friends get bit by zombies and die. Also, the penguins are eating people. From here on out I pretty much sob and wonder why I torture myself by letting this movie trample all over the little bit of Christmas spirit I can force myself to muster. Conversely, Anna gets super strength from her grief and takes out a bunch of zombies on the way to the school.

Once the remaining kids reach the building, they are confronted by a very calm Arthur eating his Christmas dinner. He ushers them into the cafeteria and the gang is surprised to discover everyone sheltered there has succumb to the virus. Arthur apparently lost his fucking mind when the remaining survivors decided they should try to move on from the school since nobody was coming to their rescue, so now he’s hellbent on killing everyone else for some unknown reason. Thankfully Anna’s dad, Lisa and Dot are suspiciously absent from the horde, and after the gang narrowly escapes Arthur’s trap, they roam the school trying to find their loved ones and grab Steph’s car keys so they can hightail it out of there.

Steph and Chris discover Lisa and Dot hiding in a storeroom, but unfortunately Dot has fallen victim to her heart condition. After saying goodbye to grandma, the 3 of them navigate to Arthur’s office to grab Steph’s keys, but discover the way is blocked by their shuffling former classmates. Lisa and Chris provide a distraction with Chris’ latest creation of a more personal nature – a clip show of the friend’s exploits the last few days. Meanwhile Steph reenacts every stealth video game I’ve ever played by rolling her way under tables to reach the office door. When the batteries die in Chris’ phone and the movie stops, the zombies descend on Chris and Lisa. Steph can only look on in despair as she has to leave her friends behind. They may be doomed to die, but I take the tiniest bit of comfort in the fact they are together.

I hate everything.

Anna and Nick wander off to find her dad and Nick confesses his own father was bitten and forced his son to kill him, which I think is an attempt to humanize Nick or something? He’s not a dick because he took Anna’s virginity and dumped her afterward and bullies everyone in the entire school, he’s just been living under his army dad’s high expectations! When zombies attack the pair, Nick sacrifices himself to protect Anna so she can escape. She discovers her dad’s being held hostage by psycho-Arthur, and a musical battle ensues.

I honestly don’t understand why Arthur hates Anna’s dad so much. This is literally never explained.

While Anna is kicking some ass, dad overtakes Arthur and gets bit in the process. Dad wishes Anna a Merry Christmas before sending her away, and Anna heads outside with Nick (yes, he survives, bleh) with the small hope that Steph and the others will return with a way out of Little Haven.

Thankfully this movie didn’t kill its gays, and Steph pulls up in her sedan like a knight in shining armor. The remaining 3 contemplate where they should go, but with no clear path forward, they drive into the unknown.

There’s no such thing as a Hollywood ending.

Y’know, the holidays are always such a weirdly emotional time for everyone. I spend 25 days losing my mind trying to prepare for Christmas, the week after attempting to catch up with friends I haven’t seen all year, and the few days after New Years watching Fleabag in my basement while crying my eyes out. I honestly hate winter, it sucks all the hope out of you.

I understand the sentiment that the holiday season is an good reminder to appreciate and spend time with your family, because they’re supposed to be more important than the capitalist juggernaut Christmas has become. But, like, sometimes your family sucks. The more everyone reiterates the reason for the season, the harder it gets not to retreat inside your self-defeating inner monologue if you don’t have that happy bouncy support system. As the days go on, it can feel increasingly isolating as the others around you turn into a horde of winter-based cheer.

The metaphor of wanting more and not being able to self-actualize without physically leaving everyone else behind (whether by choice or because they’ve succumbed to the zombie virus) can be incredibly cathartic to watch this time of year. After the magic of Christmas has worn off, you realize Adulthood has no roadmap. All you can do is learn how to cope with the never-ending stream of crises and disasters until you die, and until that point, it’s up to you to create the moments that make staying alive worth it. Hooray!

Where was I going with this?

Oh, right. The holidays are primed to be a disaster, and I just wanted to acknowledge that I appreciate those of you who read my silly write-ups. Your support makes things a little less hard. I took on this project back in March 2020 out of spite, and to allow myself to focus on anything else other than the world falling apart around me. I continue it also out of spite. While these reviews are exhausting, I’m learning from them by exercising a muscle that has mostly laid dormant since college. I assuredly will not be crossing the finish line next year, but my progress bar is at 63%, which is encouraging!

So, watch this space in 2023 for more ridiculous commentary on some song and dance numbers.

The post Anna and the Apocalypse (2017) appeared first on Welcome to Oaty McLoafy!.

]]>
https://oatymcloafy.com/2022/12/25/anna-and-the-apocalypse-2017/feed/ 0 803
#98 God Help the Girl (2014) https://oatymcloafy.com/2020/04/01/98-god-help-the-girl-2014/ https://oatymcloafy.com/2020/04/01/98-god-help-the-girl-2014/#respond Wed, 01 Apr 2020 04:42:00 +0000 https://oatymcloafy.com/?p=93 When your journey to self-discovery has collateral damage.

The post #98 God Help the Girl (2014) appeared first on Welcome to Oaty McLoafy!.

]]>
From the mind of Stuart Murdoch of Belle and Sebastian fame, God Help the Girl is about a woman forming a band because she believed it would help with her mental health, but then ultimately abandons the project to go to college because she thinks it is the adult thing to do.

That’s it.  That’s the whole 2 hour movie.

Ok, maybe that’s not fair.  

The main character, Eve, is staying in a medical rehabilitation facility in order to help her cope with her anorexia.  She breaks out of the building to see a random band play, and meets James, an aspiring musician.  She convinces him, and his friend Cassie, to start a band with her.  They agree to follow her musical direction, but disagree on the scope of the project.  James is content with creating music he likes without achieving fame, and Eve wants everyone to hear her music.  Cassie has no personality other than being a space cadet.

While working toward their first show, Eve runs out of her medication, but convinces herself that a lifestyle change would be enough to save her from depression.  She also heavily leans on James for emotional support, and when he is not around to help her, she spirals further into her own psychosis.  James ultimately takes her back to the medical facility, where she begins to take care of herself again and starts working on the songs for their upcoming show.

Eve confesses to James she will be leaving the city to attend college, because she doesn’t think hanging around with him or Cassie will provide the structure she needs in her life.  She dyes her hair blonde, they play their one and only show, and then James escorts Eve to the train station where she heads off to start her new life.  If that feels like an abrupt change of character direction, that’s because it is.

The tone of the movie is kind of all over the place.  It tries much too hard to be funny, and a lot of the jokes just didn’t land for me.  In the first 10 minutes, they show Eve reading a fake newspaper denoting how smart she is, a fight between James and his drummer on stage where they both take their glasses off before they go at it, James slapping the drummer, and then James just being so fucking awkward at being a lifeguard.

I didn’t laugh at any of this, because I still wasn’t sure what this movie was trying to be.  We don’t know where Eve has snuck out of, why she decided to go to this show to see James play, and why she seems sick.  Once I understood what the premise of the movie was, probably around the time Eve tracks down James at the pool and asks to live with him, that I was able to relax and roll with the punches.  I laughed out loud when James said he had “the constitution of an abandoned rabbit”, and the fact they used an old dog to Lassie-style summon Cassie to the dance was so ridiculous that I loved it.  The characters were endearing, and I found myself enjoying how they interacted with each other, and how innocent all their conversations seemed.  It was in stark contrast to the reality of Eve’s situation.

That being said, while the characters are likable, the movie doesn’t spend much time fleshing them out.  Cassie wants to sing without putting in any work understanding music theory.  James is an awkward, grumpy artist who plays music because he enjoys it.  Eve is depressed, but wants to create music and have it heard by everyone.  She’s the main character of this movie, and the songs are written from her perspective, but I feel like I understand her the least.

We’re not shown the circumstances of how Eve ended up in the facility, other than her life “was a nightmare” and she stopped taking care of herself.  This information, in itself, isn’t integral to the plot, but it might help explain what she is triggered by.  They purposely keep the details of her background vague, but then expect you to understand why she feels like she needs to start completely over to get better, even though she just tried it and it didn’t work.  She rationalizes to James “being around people who act like adults” would help her, but it never once was mentioned or insinuated before that she thinks James is infantile or his lack of ambition is holding her back.  In fact, he was the one taking care of her when she couldn’t take care of herself, which makes this statement even more bizarre.

All this to say, the ending of the movie feels abrupt and unsatisfying.  It’s almost 2 hours long, and they spent so much time on 2 romantic subplots that don’t go anywhere when they should have provided character development for Eve and James so they didn’t feel so hollow.

While the plot of the movie left a lot to be desired, I did find the musical numbers fairly enjoyable.  I hadn’t had much exposure to Belle and Sebastian before – the only song I know of theirs is on the Juno soundtrack.  Still, I was excited to see how this movie incorporated the songs.  Would it go full-musical and have the characters sing their thoughts and feelings directly at the camera?  Would it be more like Once where the songs are band performances?  Would it just play the songs in the background as narration?  Turns out, it was a little bit of everything.

The first musical number Eve sings directly to the camera while the world around her changes based on her fantasy of the kind of person she’s pretending to be.  I was sold – characters breaking the 4th wall in order to belt out emotions is right in my wheelhouse.

My favorite number, “The Psychiatrist Is In”, is similar in this regard.  It does a great job at communicating Eve’s past to James without overtly stating it, and showing how smitten James is with her and her writing talent.  I also loved Eve’s voice and thought it suited the songs really well (unlike Cassie’s, which… oof).

The band performances were also charming, and I appreciated the understated choreography.  It fit the vibe well, because while nothing is overtly energetic, the songs are fun, playful, and sometimes gawky, and it was refreshing to see that in how they moved their bodies.

What I did find fairly strange was the way things were shot so literally, as to squash any ambiguity as to what is going on in the song.  I discovered that Stuart Murdoch’s writing style is very much of the musical narration variety.  It’s like as if he opened up a book and started singing the pages out loud.  I think this can work well when you’re just listening to the music, but this movie showed everything that was happening.  Eve’s singing about reading a newspaper?  She’s reading a newspaper.  Eve asks James to lay down on her couch, and he lays down on her couch.  James sings about wanting to bathe Eve, and they show him bathing Eve.  Eve says Cassie dances like a kangaroo, and Cassie dances like a kangaroo.  I pretty much rolled my eyes when the trio writes their first song together, and when Cassie doesn’t know what to write the song about, Eve asks, “What have you done today?”.  And then they write about seeing a dog, because she had literally seen a dog earlier that day.   It got fairly exhausting after a while.  It reminded me of that Family Guy Randy Newman sketchleft foot, right foot, left foot, right foot, shuffle to the left…

While this movie isn’t perfect, it had a lot of promise.  If it included more character development and less montages, heavy handed visual representation of the songs, and whatever the hell the Anton thing was, I feel like I would have enjoyed it more.

On to Were the World Mine

The post #98 God Help the Girl (2014) appeared first on Welcome to Oaty McLoafy!.

]]>
https://oatymcloafy.com/2020/04/01/98-god-help-the-girl-2014/feed/ 0 93