Norman Panama Archives - Welcome to Oaty McLoafy! https://oatymcloafy.com/tag/norman-panama/ The Life and Times of Miss Mittens Mon, 29 Apr 2024 01:52:17 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.1 https://i0.wp.com/oatymcloafy.com/wp-content/uploads/2022/11/20220123_012404.png?fit=32%2C32&ssl=1 Norman Panama Archives - Welcome to Oaty McLoafy! https://oatymcloafy.com/tag/norman-panama/ 32 32 214757351 #25 The Court Jester (1956) https://oatymcloafy.com/2023/10/31/25-the-court-jester-1956/ https://oatymcloafy.com/2023/10/31/25-the-court-jester-1956/#respond Tue, 31 Oct 2023 16:28:52 +0000 https://oatymcloafy.com/?p=274 The Court Jester is the most fast-paced, disorienting, silly movie I have ever watched, and I enjoyed every absurd minute of it.

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Happy Halloween! I ran out of creepy musicals, so we’re going to instead recap one where Danny Kaye wears a ridiculous looking costume.

Seriously, it looks like he lost a bet.

The Court Jester is a star-studded film that is only a musical by definition because Danny Kaye occasionally sings. It is the most fast-paced, disorienting, silly movie I have ever watched, and I enjoyed every absurd minute of it.

The movie begins with Danny prancing around during the title sequence to hype up the fairy tale they’ll be reenacting over the next hour and thirty minutes while also assuring the audience actually read the credit sequence. Which, y’know, whatever you gotta do.

Once Upon a Time, King Roderick the Tyrant, a jolly, smiley old man who massacred an entire family to take the throne, is heading home with a bunch of his homicidal friends. One of his knights is unceremoniously murdered by an arrow with a note tied to it, because I’m guessing a pigeon wasn’t available. The Black Fox (think Robin Hood, but way less charismatic), the King’s nemesis, sends a (literal) message to warn King Roderick his days are numbered – There is a rightful heir to the throne, and he’s an infant that has a distinctive flower on his butt!

This has King Roderick shaking in his perfectly aligned tight seams and the group books it back to the safety of the castle leaving the poor unmoving knight on the side of the road. His advisor, Sir Ravenhurst (Basil Rathbone), assures the king this news is nonsense, but the rest of his council (Brockhurst, Finsdale, and Pertwee) suggest the King should form an alliance with Sir Griswold – an alpha male from a neighboring kingdom that is so big and strong he’d send The Black Fox packing. Sir Ravenhurst disagrees, which sends these petty and dramatic queens into a slapping fight which is only quelled when someone suggests they marry off Princess Gwendolyn (my love Angela Lansbury) to Griswold cause she’s got nothing currently on her calendar. Gwendolyn reacts to this news by threatening to jump off the building since she is also a petty and dramatic queen. Her behavior is blamed on her handmaiden Griselda, cause there’s absolutely no other reason why Gwendolyn would want to marry for love.

Meanwhile, the band of The Black Fox are out in the forest having a grand ‘ol time with their in-house entertainment!

They’ve really gotta work on rebranding cause at first glance I thought they were wearing Nazi armbands.

Hubert Hawkins (Danny Kaye), while a jester by trade, wants to contribute more than singing and dancing to the cause. He’s even recruited an entire troupe of little people from the local carnival to free up some of his time to swashbuckle with the rest of them. The Black Fox instead puts him on babysitting duty with a Tarzan swinging Mrs. Banks, which apparently includes flashing the kid’s bottom to anybody who wants to pledge loyalty to a royal.

After discovering there’s a snitch in the castle, the stunningly beautiful Captain Jean (Glynis Johns) and Hubert, in order to keep the baby with the purple pimpernel buttmark concealed, dress in disguise to traffic the child in a wine barrel to an Abbey. Hawkins’ old man shenanigans frustrate the King’s knights enough that they don’t suspect the pair are involved with The Black Fox and let them continue on their journey.

They take shelter in a dilapidated shack for the night and The Captain’s ovaries explode watching Hubert sing the child to sleep with his buttery voice.

And, oh no! There’s only one pile of hay they have to share! Maid Jean keeps her cool by telling Hawkins beta males can attract even strong men like her, and Hawkins replies her she’d make a pretty good girl before planting a kiss on her. Jean tries to steer the conversation back to their mission, but Hawkins, seeing now he has a chance, can’t take his lips off of her.

“I wonder if she’s thinking about other guys…”
“There’s a secret tunnel under the castle that leads to the King’s chambers!”

But wouldn’t you know, at that very moment, the King’s future court jester Giacomo wanders into the shack looking for shelter. He just happens to be the type of person who would have access to the King and be able to grab the key to the secret tunnel. Instead of recruiting him into the cause, Jean brains Giacomo and asks Hawkins to take his place since he has all that convenient carnival experience.

Back at the castle The King is still struggling because Gwennie doesn’t want to marry the Grim, Grizzly, Gruesome Grossy McGrosserson Griswold! Even though he has an unwilling bride-to-be, the King figures if he can distract Griswold with bitches there’s a greater chance he’ll comply, sending his knights out to grab a cartful of them. Ravenhurst also suggests their new jester might be able to provide some levity, which the king agrees to without knowing that Ravenhurst, in addition to being petty and dramatic, is also a scheming queen and The Original Giacomo was hired because he was a secret skilled assassin!

Unfortunately for Jean, the King’s quest for hoes intercepts her baby-concealing wine cart on the way to the abbey and she is dragged to the castle ahead of a bumbling Hawkins. She rendezvous with The Black Fox’s inside guy Fergus and asks him to take the surprisingly mute baby to the Jester’s quarters in anticipation for Hawkins’ arrival. She then steals the key from the King’s quarters herself since she has to do fucking everything.

Hawkins/Giacomo arrives a few moments later to the delight of Ravenhurst and Griselda – the former because he wants Giacomo to go on a murderous rampage, and the latter because she convinced Gwendolyn the dude with the pointy shoes is her One True Love in order to weasel her way out of a Gwendolyn’s pre-wedding murder-suicide pact.

Hawkins tries to determine which person is an ally by spitting in everyone’s faces and unfortunately determines Ravenhurst is his man cause Hubert is dumb as rocks and Ravenhurst keeps giving him the “you’re gonna murder the King’s council for me” eyebrows.

The King asks “Giacomo” to choose the best wench for him since he assumes this man wearing the biggest feather I’ve ever seen in a hat is a massive slut who would be able to tell which bitch was quality. He’s quickly intercepted by Griselda who, in a quest to save her own skin, hypnotizes him into wanting to fuck Gwendolyn. Fergus witnesses this and is rightfully disgusted.

Jean, barefoot and key laden, stumbles upon Hawkins on his way to get his dick wet and since he has a singular focus, Hawkins pimps Jean out to the King. Excited to be dining with such a beautiful woman, the King ignores the fact it’s usually not a good sign if the guards have to physically restrain your date.

Arriving at the Princess’s chambers, “Giacomo” lays on the charm hard, telling her they’ll run away together. The Princess takes the key to the secret tunnel under the assumption they will meet and flee in the dead of night. The King uses this exact moment to check in on his daughter, immediately uncovers her plan to leave and steals the key back making the last 10 minutes useless. After a brief side-quest where “Giacomo” agrees to murder the council for Ravenhurst, Griselda removes the love spell and erases Hawkins’ memory for funsies and to further complicate the plot.

After getting all dolled up, Jean is escorted to the King on the way to dinner only to find out that left unsupervised, Hawkins got himself in a shitload of trouble and also returned the key to the King. He is, however, able to perform well enough to distract the King from the baby in a basket.

Things are further derailed after Griselda poisons the King’s entire council during a toast and somehow nobody cares about this except Ravenhurst who thinks that “Giacomo” did it. This doesn’t prevent the wedding of her lady to Griswold, however, since Gwendolyn outs her love for “Giacomo” the second Griswold walks through the door. Griswold decides to win Gwen’s hand through TRIAL BY COMBAT, which means “Giacomo” needs to be declared a knight to participate.

Ravenhurst, pleased with how his plan is progressing, praises the man who hired Giacomo, who instead blindsides him with, “My guy, this development is cool and all, but I’ve never seen that dude in my life.” They assume Hawkins is The Black Fox for whatever reason, and instead of ratting him out to the king, they advocate for expediting the jester’s knighthood so he will be forced to kill Griswold. The knights go out of their way to rig the tests so THE CANDIDATE PASSES, damning Hawkins to most certainly die by Griswold’s blade.

Tasked with keeping the mission afloat, Captain Jean attempts to seduce the king to once again steal the key. She succeeds in both turning him on, and then turning him off by regaling the plague that unfortunately killed her family, and like, imagine being scared of catching a contagious virus. Just take some horse dewormer, King, you’ll be fine. Jean gets the key and hands it off to Fergus to be sent by bird to the legitimate Black Fox, proving you don’t need to send messages by murder.

Hawkins’ fears are inching closer and closer to reality as he is incredibly enthusiastically knighted by ceremony. Griswold immediately challenges him to TRIAL BY COMBAT and Hawkins accepts under the assumption The Black Fox will come soon and take his place in battle.

Those quickly shuffling men that resemble a marching band on steroids are The American Legion Zouaves Post no. 29 from Jackson, Michigan. Formed in 1898 as an exercise group, the drill team were famous for moving at 300 steps per minute and being able to launch all 18 of them over a 12 foot wall in 22 seconds. When Hollywood came calling, they initially thought it was a joke until they heard they were scouted based on one of their 5 performances on the Ed Sullivan Show. A group of 200 people saw them off on their flight to film in California while carrying a key to the city to be delivered to Danny Kaye. Their favorite person to talk to on set was Angela Lansbury, which is the most believable thing in the world to hear. Basil Rathbone attempted to learn the steps but apparently was not very successful since it’s just as hard as it looks.

Steering back from that tangent, the morning of the big fight arrives and The Black Fox is nowhere to be seen as the secret passage is partially collapsed only leaving room for someone the size of a small child and if only The Black Fox knew of several small child-sized men who could navigate their way through the tunnel and start a diversion… The Black Fox, instead of saving Hawkins’ life, decides to change the plan by recruiting Hawkins’ acrobat friends (which he could have done at the beginning of this movie) and use them as a distraction to gain access to the castle.

Hung out to dry, Hawkins once again finds an ally in Griselda, whose neck is once again on the line as Gwendolyn declares if Giacomo is killed Griselda will be next. Griselda only knows of one way to kill a man, however, and poisons one of the cups that will be used for the pregame toast, as if pregame toasts were a thing. Problem is, Hawkins is having issues trying to remember which chalice’s contents won’t make him foam at the mouth and limply fall over.

RED LEATHER YELLOW LEATHER RED LEATHER YELLOW LEATHER UNIQUE NEW YORK UNIQUE NEW YORK

But right before the joust Hawkin’s armor is struck by lightning which magnetizes it and oh my god I think whoever wrote this movie was on cocaine what is even happening. Danny Kaye changes out of his disco tunic and belt-I-swore-they-sold-at-Hot-Topic-in-2003 combo and dons his electrified armor to face his destiny. After the toast goes absolutely nowhere since Griswold gets word of the poison, they begin to battle and Griswold immediately knocks Hawkins’ block off.

BUT THROUGH THE POWER OF A LITERAL ACT OF GOD Griswold’s mace gets stuck to Hawkins’ shield and he falls off his horse in defeat. Hawkins spares Griswold’s life and is promised Gwendolyn’s hand in marriage after The King’s mealy mouthed apology about trying to get him killed and shit. This is a short lived victory as Hawkins is quickly outed by Ravenhurst as The Black Fox and Captain Jean as his accomplice. Poor Fergus was caught and tortured to reveal the heir apparent is hiding in the castle somewhere and Ravenhurst isn’t about to take his chances at The Black Fox snatching the title of son-in-law.

Captain Jean and Hawkins are summoned before the court with Hubert sporting a surprising amount of chest hair for a prisoner. It’s at that moment dozens of acrobats descend on the knights, launching their hilariously mannequin-esque bodies via catapult into the sea.

While The Black Fox and his men overthrow the castle, Hawkins confronts Ravenhurst mono e mono to mixed results. It isn’t until Griselda Space-Jam-waters him into having confidence that Hawkins is able to corner Ravenhurst for a small moment to show off his wonderful dissection skills.

Hawkins eventually is able to scream and flail around long enough for the acrobats to launch a Ravenhurst-dressed rag doll into the sea, only to then be confronted by Griswold who wants to take down the traitors. The holy infant is then lowered from the ceiling so Hawkins can once again show off its ass revealing the baby as the true heir. The king is overthrown, Hawkins ends up with Jean, Gwendolyn magically likes Griswold for absolutely no reason, and a literal infant with no capabilities of ruling takes the throne. All hail the holy bloodline.

THE END.

This movie is a plot-heavy non-stop frantic fever dream that is also incredibly charming and funny. While I’m not completely sold on Danny Kaye and Glynis Johns’ romantic connection, they play off each other incredibly well.

The whole cast sells the story in all its grand, melodramatic farce. Angela Lansbury, who is disorienting to see with long hair, cracked me up every time she threated to hurl herself off of a turret or murder a maid in order to get her way. Glynis really is our true hero, constantly running around keeping the motley crew on track, even if they didn’t let her wear shoes the entire movie. Danny Kaye’s facial expressions alone would have been worth more than the price of admission. I’ve watched this 4 times now and I find something new to giggle at during each repeat.

If you’re looking for an evening full of brainless slapstick, The Court Jester more than fits the bill. Let the man in the ostentatious outfit entertain you – it’s his job.

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#79 White Christmas (1954) https://oatymcloafy.com/2020/12/22/79-white-christmas-1954/ https://oatymcloafy.com/2020/12/22/79-white-christmas-1954/#respond Wed, 23 Dec 2020 02:32:00 +0000 https://oatymcloafy.com/?p=448 Welcome to the little-known Irving Berlin classic film White Christmas, starring a bunch of people you’ve never heard of singing a bunch of songs that never really caught on.

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Welcome to the little-known Irving Berlin classic film White Christmas, starring a bunch of people you’ve never heard of singing a bunch of songs that never really caught on.

I’m joking.  You have to know I’m joking.

Actually, I’m in the minority of people that didn’t see this movie until I was well into adulthood.  Netflix put it up on their streaming service, and I thought, “Sure.  I’d love to know what Clark Griswold’s barometer of cheer is.”  I wasn’t blown away by it, but it worked its way into my yearly yuletide viewing because of two things:

  • Bing Crosby’s buttery soft voice that reminds me of when they would dub birds on Looney Tunes with crooners and chickens would lose their shit.
  • Vera Ellen’s dancing.  No elaboration needed.

The actual plot of Wallace and Davis saving their former Army General’s inn from going out of business is touching.  I’m going to put a pin in this tangent for later, but I find it really interesting the amount of media released centered around WW2.  We still release WW2-centered movies on a regular basis.  In contrast, events I’ve lived through in my life, like 9/11, the conflict in Iraq and Afghanistan, even the pandemic we’re in right now – we haven’t seen depictions of those events reflected in media on that kind of scale.  Holiday movies that were filmed this year have gone out of their way to avoid referencing that we’re in a pandemic at all.  The lack of extras, overuse of sound stage sets, green-screened Dolly Parton awkwardly floating over dance numbers… it’s almost weirder to avoid the post-apocalyptic-like emptiness completely than it would be to casually reference it.  I understand that media is supposed to be a form of escapism, but ignoring massive touchstones of humanity like they aren’t affecting the entire goddamn planet is almost more eerie.

The romanticism of WW2 may be a way to justify a very dark time in history, and provide comfort to soldiers by looking at the camaraderie through rose-colored glasses.  While White Christmas touches on the adjustment soldiers felt after returning home, other movies on this list like Cabaret and The Sound of Music address the war head-on, so I’ll defer my deep dive and try to keep this review light.  Because (Linda Belcher voice) it’s *Christmas*.

So, right… Wallace and Davis, a couple of showmen stationed overseas during the war, stage a Christmas concert for the troops.  General Waverly, who is injured and soon to be replaced, says goodbye to his soldiers after everyone is already crying at Bing Crosby’s rendition of “White Christmas”.  At the end of the performance, the regiment is attacked, and Wallace saves Davis from a falling building.  Wallace uses the guilt as leverage to convince Davis to join him in a travelling double act after the war is over.

They become wildly successful, but Davis is a bit of a workaholic.  In an attempt to get any semblance of free time away from his friend, Wallace repeatedly sets Davis up with some hot showbiz girlz.   Davis makes a lot of assumptions about their literary accomplishments and blows them off.

Wallace basically reams him a new one, advising Davis that he’s aging quickly and it won’t be long before women won’t find him sexually attractive.  Bob accurately identifies that the age of the women he’s being introduced to is probably inappropriate because they’re at different stages of their lives, but he concedes and promises the next time he finds a lady who wants to pop out kids, he’d consider settling down.

After this heart to heart, they head to a club in Florida to check out the musical act of the relatives of an old army buddy.  Conveniently, the army buddy’s sisters are really hot, so Wallace and Davis are captivated by their performance.  

“Sisters” will get stuck in my head for days after I watch this movie.  It makes me ignore the hilarious fact that these two women are supposed to be related.

Wallace quickly finds out that Judy and him are in a similar situations – Betty is overprotective of her younger sister, and Judy is desperate to get her sister laid so she can have some freedom herself.  They brainstorm ways to force Betty and Bob together, even though there is no reason on earth for them to even like each other.  In fact, Betty and Bobby’s first interaction is a disagreement about how motivations can drive a person’s actions… which seems obvious, but Betty is so offended that Bob might think she has an “angle” that she ices him out.  Even though The Haynes Sisters conned them into viewing their act.  Sheesh.

The romantic subplot between Betty and Bob is EXHAUSTING.  It makes zero sense, they have no chemistry, and it is unbelievably repetitive and tedious.  If I could watch a supercut of this movie that omitted this entirely, I think my enjoyment of this film would skyrocket.  But I’m getting ahead of myself.

Some convoluted shit happens that results in the sisters climbing out a back window while Wallace and Davis create a distraction for them by performing their “Sisters” number.  It’s a choice.

The quartet is later reunited on a train to Vermont, as the Haynes Sisters have a gig there for the Christmas holiday.  Since Wallace gave away their sleeping car to the dames, Davis bitches about having to sit up in the club car, overselling how comfortable a train bed is every chance he’s provided.  They pass the time singing about how magical Vermont snow is, which is a sentiment expressed by people who haven’t had to shovel their driveway several times a day in negative temperatures so the mailman can reach their front door.

Once they arrive in Vermont, Wallace and Davis quickly discover that their beloved General Waverly owns the Inn Betty and Judy are booked to perform at.  We’re treated to yet another rendition of “Sisters” because it’s the only song Betty and Judy know, and afterward the nosey housekeeper divulges all of the General’s financial woes to Wallace and Davis, which is just so rude, I can’t even start to explain how shitty it is. Turns out, the lack of snow is preventing guests from visiting, and causing the General’s business to slowly go under.  As expected from four people in the entertainment industry, they decide to put on a big show to attract guests.  Wallace and Davis call their entire crew to come to Vermont, even though the day before they had given them 10 days of paid leave off.  If I were their employee, I’d be pissed.

They start rehearsing the show in a barn the size of an airplane hanger.  The first number they rehearse waxes poetic about old minstrel shows, reciting a bunch of jokes about abusing and murdering dogs, and talking about how ‘ol Georgie Primrose was awesome.  How many times am I going to have to address that blackface was bad on this list?

“Mandy” is a weird and annoying song to me, and the stage and costume colors hurt my eyeballs.  But there is one person who saves this number, and it’s Vera Ellen dancing her ass off while being manhandled by a bunch of dudes.

Honestly, it’s my dream to be a part of a musical number where men are forced to pretend you’re the fucking best.

After the number concludes and the 3 people who were watching it applaud, Betty asks Judy if the tempo of the number worked for her in the part of the song that is literally repeated over and over and over… giving Bob the chance to sneak up and play the piano next to her, creating *a moment*.  This feels so tacked on and bizarre and their romance it’s so dummmmmbbbbb ughhhhhh

Later, Wallace and Judy conspire for Bob and Betty to have yet another meet cute where they eat romantic foods like liverwurst and buttermilk and talk about sheep and I just… sure.  Betty apologizes for jumping down Bob’s throat at the club, since he was only there out of the goodness of his own heart.  Bob warns Betty that holding people to impossible standards will ultimately disappoint her, and then a extremely awkward kiss happens between a 51-year-old Bing Crosby and a 26-year-old Rosemary Clooney.

The next morning, Bob has a very well written interaction with General Waverly, where the General expresses interest in joining the army again, only to have those dreams dashed 30 seconds later.  This gives Bob the idea to invite the old regiment to the performance as a way to emotionally validate the General, which is touching and freaking adorable.  He arranges to put the word out to the soldiers on a television program, which the housekeeper overhears incorrectly on the phone and believes that Wallace and Davis are going to parade the general in front of the nation and talk about how pitiful he is for clout and profit.  She communicates this to Betty, who is understandably put off by the idea, but instead of confronting Wallace and Davis about it, or confiding in her sister, or warning the General herself, she decides to commit a series of the most passive aggressive statements and actions that Bob and the crew cannot possibly begin to decipher, even though they point-blank ask her why she is upset multiple times and she declines to inform them.

Judy, who also loves to jump to conclusions, assumes Betty is pushing Bob away because she can’t get married until she does.  Judy then convinces Wallace to pretend they’re engaged so Betty can move forward with Bob guilt-free, except to the surprise of nobody, this completely backfires and Betty drops out of the show and leaves to perform at a club in New York.

Again, this whole fucking thing could have been avoided if the housekeeper or Betty asked Wallace and Davis about what their intentions were for the show.  Betty leaving and not saying a word is not only petty, but also sets up the General to be exploited anyway, which is the whole thing she was upset about in the first place!  Her reaction causes Wallace and Judy to come clean to Bob about their scheme, and he decides to look Betty up while he is in New York and set her straight on the whole situation.  When he finds her, she has the absolute nerve to sing a song about love doing her wrong, even though she’s created all these problems in her own head and OH MY GOD BETTY IS THE ABSOLUTE WORST.

She’s dismissive of Bob and the news her sister isn’t actually engaged, and he mentally curses himself for writing off the “easy” girls before.  Of course, Betty later discovers she’s been acting a fool, returns to Vermont, and performs in the show.  The regiment travels from all over the country to pay their respects to General Waverly in a scene that makes me tear up cause it’s so fucking precious, goddamn.

In the middle of the performance, Bob and Betty get back together, even though Betty is a toxic person who has not once expressed interest in settling down and popping out 9 children, which was Bob’s only requirement for a mate in the beginning of the movie. I’m sure their relationship will be long and functional.

All these happy maskless white people drinking booze in the same room together really triggers some covid conspiracy-related rage inside of me.  Merry fucking Christmas, everybody.  

Also, here are some more videos of Vera Ellen dancing, because really, that’s what saved this movie for me.

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